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“Who Owns the Photograph? AI and the Reallocated Subject”

RESERVATION REQUIRED

FREE

2026.5.17
13:30–15:00
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Presented as a related event to French duo Yves Marchand & Romain Meffre’s exhibition, this talk explores the intersection of AI x Art, with a particular focus on photographic expression. The discussion will delve into artworks that incorporate AI technology – an approach also present in Marchand and Meffre’s practice – and consider how these emerging tools are reshaping artistic creation.

Since its invention, photography has repeatedly faced questions about its status as an art form. Today, the rapid rise of AI-generated imagery has reignited these debates. Across a wide range of artistic practices, creators are experimenting with AI in new and unexpected ways. Within this shifting landscape, how should the use of AI be understood in relation to photography? And where might we draw the boundary between what constitutes art and what does not?

Bringing together two distinct perspectives, the conversation features Professor Takashi Ikegami, who has long explored the relationship between humanity and artificial intelligence, and artist Kenshu Shintsubo. The speakers will reflect on the evolving role of AI in creative practice and the future of photographic expression.

Important Notice
*This event will take place in the Gojo area of Kyoto City.
*Detailed venue information will be provided only to registered participants.
*This event is a closed event for reservation holders only.

Speakers Speakers

  • Takashi Ikegami (The Graduate School of Arts and Sciences, The University of Tokyo, Project Professor)

    For over two-three decades, my work in artificial life has explored open-ended evolution, from computational models to self-propelled droplet experiments. I am now engaged in constructing artificial life in the physical world, with a particular emphasis on Hybrid Agency—how predictive responsibility and autonomy are redistributed across bodies, environments, and collective structures. Through the humanoid android Alter3, large-scale Boids systems, and a developing theory of collective intelligence (Community First Theory), I investigate how agency emerges not as an individual property, but as a dynamically coordinated and relational phenomenon.

  • Kenshu Shintsubo (Photographer / Artist)

    Beginning with photography, I navigate between drawing and text to investigate correspondences among image, body, and landscape, as well as the temporality specific to photography. Selected publications include Memory (FOIL), Spring Ephemeral (FOIL), Rugged TimeScape (with Takashi Ikegami; FOIL), and \ Landscape (KADOKAWA). Selected group exhibitions include New Pictures 뉴-픽쳐스 (The Reference, Seoul) and International Non-Violence Exhibition #SUM_MER_2025 (Kyoto City University of Arts Art Gallery @KCUA, Kyoto). Selected solo exhibition: So Delicate and Nuanced as to Seem on the Verge of Disappearing (Mizuma Art Gallery).

Moderator Moderator

  • Moderator: Yusuke Nakanishi (KYOTOGRAPHIE Co-Founder & Co-Director)

    © 2022 Naoyuki Ogino

    © 2022 Naoyuki Ogino

    Lighting Director. Yusuke Nakanishi was born in 1968 in Fukuoka, and currently lives in Kyoto. He travels the world, expressing his impressions of light and shadow from his memories. He has worked as a lighting director for music videos, feature films, stages, music concerts, fashion shows and interior designs. He also created lighting object series eatable lights and Tamashii and has exhibited installations at the Hara Museum, School Gallery (Paris), including Nuit Blanche in Kyoto. He co-founded KYOTOGRAPHIE with Lucille Reyboz in 2013 and is the co-director. In Autumn 2022, he was involved in the creative direction for Van Cleef & Arpels exhibition LIGHT OF FLOWERS, which was held on the grounds of Shimogamo Shrine and the Tadasunomori Forest. In 2023, he co-founded KYOTOPHONIE Borderless Music Festival with Lucille Reyboz.

Date 日時

2026.5.1713:30–15:00

Fees 料金

Free Admission

Language 言語

In Japanese Only

Reservations 申し込み

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