YVES MARCHAND & ROMAIN MEFFRE イヴ・マルシャン& ロマ・メェッフェル

The French duo will show large-format studies of modern ruins, along with works that combine Al technology with early photographic devices, and a new series made in Kyoto

Working as a duo for over 20 years, Yves Marchand & Romain Meffre are celebrated for their large-format photographs of modern ruins. These include deserted theatres across North America, Japan's abandoned Gunkanjima (Battleship Island), and urban decay across the city of Detroit. In recent years Marchand & Meffre have experimented with Al technology to transform the city of Paris into a post-apocalyptic ruin. In these photos, the Pompidou Centre is rusting, the Louvre's glass pyramids are shattered, and the Moulin Rouge is swallowed by ivy.

At KYOTOGRAPHIE 2026, Marchand & Meffre will show a breadth of their achitectural studies on ruins, presenting images from The Ruins of Detroit, Gunkanjima, and Les Ruines of Paris. In addition, the duo will produce a new body of work in Kyoto, employing the same technique as Paris and using Al to transform the ancient city into a desolate ruin. In this interplay of history and intervention, Marchand & Meffre open conversations about the authenticity of photography, the ability of Al to deceive us, and the thin line between reality and fiction.

<em>c803d74b-86ff-49a9-b633-3d83e9633402, Ruines de Paris,</em> 2024 © Yves Marchand & Romain Meffre

c803d74b-86ff-49a9-b633-3d83e9633402, Ruines de Paris, 2024 © Yves Marchand & Romain Meffre

<em>Ballroom, Lee Plaza Hotel, Detroit, </em>2006 © Yves Marchand & Romain Meffre

Ballroom, Lee Plaza Hotel, Detroit, 2006 © Yves Marchand & Romain Meffre

<em>Looking South from the embankment, Gunkanjima,</em> 2012 © Yves Marchand & Romain Meffre

Looking South from the embankment, Gunkanjima, 2012 © Yves Marchand & Romain Meffre

artist アーティスト

Yves Marchand & Romain Meffre イヴ・マルシャン & ロマ・メェッフェル

Yves Marchand & Romain Meffre are a French duo that works primarily with large-format cameras, photographing modern ruins and decaying architecture. Both self-taught, they began collaborating in 2002 and gained recognition with their series The Ruins of Detroit (Steidl, 2010),
a visual symbol of the American industrial crisis. Often working over long periods on urban and architectural ensembles in decline, their work is influenced by the Bechers, Robert Polidori, Camilo José Vergara, and the broader culture of ruin and urban exploration.

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