KYOTOGRAPHIE international photography festival

12th Edition "SOURCE" 2024.04.13 ― 05.12

  • Claudia Andujar, Susi Korihana thëri, Catrimani, 1972–1974. Instituto Moreira Salles Collection

    Claudia Andujar, Susi Korihana thëri, Catrimani, 1972–1974. Instituto Moreira Salles Collection

  • Birdhead, Bigger Photo © BIRDHEAD Studio

    Birdhead, Bigger Photo © BIRDHEAD Studio

  • Eudocimus Ruber, from the series Of Mud and Lotus, 2017 © Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam)

    Eudocimus Ruber, from the series Of Mud and Lotus, 2017 © Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam)

  • Draga in Polka Dot Dress, Saintes Maries de la Mer 1957 © Atelier Lucien Clergue

    Draga in Polka Dot Dress, Saintes Maries de la Mer 1957 © Atelier Lucien Clergue

  • FABACEAE — Medicago arborea L. Moon trefoil © Thierry Ardouin / Tendance Floue / MNHN

    FABACEAE — Medicago arborea L. Moon trefoil © Thierry Ardouin / Tendance Floue / MNHN

  • Kikuji Kawada (1933) From the series Shadow in the Shadow 影の中の陰 © Kikuji Kawada, Courtesy PGI

    Kikuji Kawada (1933) From the series Shadow in the Shadow 影の中の陰 © Kikuji Kawada, Courtesy PGI

  • ©︎ Tetsuo Kashiwada

    ©︎ Tetsuo Kashiwada

  • Nemis, Montreal, Canada, from the series Where Children Sleep ©︎ James Mollison

    Nemis, Montreal, Canada, from the series Where Children Sleep ©︎ James Mollison

  • A young woman without a hijab stands on a vehicle as thousands of people make their way to the Aychi cemetery, to commemorate the 40th day of Mahsa Amini’s death, in Saqqez, her hometown in Iranian Kurdistan. Muslim tradition celebrates this date as the day of the soul’s passage to the afterlife, and the end of mourning. Saqqez, Iranian Kurdistan, October 26, 2022. Anonymous photographer.

    A young woman without a hijab stands on a vehicle as thousands of people make their way to the Aychi cemetery, to commemorate the 40th day of Mahsa Amini’s death, in Saqqez, her hometown in Iranian Kurdistan. Muslim tradition celebrates this date as the day of the soul’s passage to the afterlife, and the end of mourning. Saqqez, Iranian Kurdistan, October 26, 2022. Anonymous photographer.

  • Untitled, from the series as it is, 2020 ©︎ Rinko Kawauchi

    Untitled, from the series as it is, 2020 ©︎ Rinko Kawauchi

  • Tokuko Ushioda (1940) From the series My Husband ©Tokuko Ushioda, Courtesy PGI

    Tokuko Ushioda (1940) From the series My Husband ©Tokuko Ushioda, Courtesy PGI

  • My nephew’s hands in mine © Jaisingh Nageswaran

    My nephew’s hands in mine © Jaisingh Nageswaran

Event Schedule

SOURCE SOURCE SOURCE SOURCE SOURCE SOURCE
SOURCE SOURCE SOURCE SOURCE SOURCE SOURCE
The source is the beginning, the initiator, the origin of all things. It is the creation of life, a place where conflict arises or freedom is obtained; it is the space in which something is found, born, or created. Regardless of our life’s juncture, we stand at a crossroads, oscillating between returning to the primal origin and beginning something new. It is from this sacred space that the symphony of life, love, and pain reverberates. In 2024, we explore SOURCE with 13 exhibitions over 12 venues, seeking the opportunities they signal for an alternative future.

Lucille Reyboz & Yusuke Nakanishi
Co-founders and Co-Directors of
KYOTOGRAPHIE

Programs Programs Programs Programs Programs Programs Programs Programs

Programs Programs Programs Programs Programs Programs Programs Programs

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